Christine, a member of our Viola section, tells us about the otherworldly qualities of Bach Chorales.

LMP Violinist Jess Coleman talks us through what gives Haydn’s ‘Hen’ Symphony its character.  

From heartbreak to springlike happiness, Cédric Tiberghien gives his insights into Mozart’s Piano Concerto No.23.

We were feeling the love at our Christmas pop-up in Victoria station.

Violinist Fenella Humphreys tells us about her inspiration outside of music, including the benefits of watching her cat.

Our Principal timpani, Ben, talks us through the trials and tribulations of Beethoven’s writing.

Gemma who has been with LMP since 2019, has been appointed as our Second Violin, No.2.

Ryan was the first winner of our Samuel Coleridge-Taylor Prize back in 2023.

Exciting update – Chrissy Kinsella will be joining us as our new Chief Executive in January 2026.

We celebrated Samuel Coleridge-Taylor’s 150th birthday with kora player and composer Tunde Jegede.

Principal oboe, Gareth, tells us about how you can be confident in Baroque’s emotional state.

Bach’s Brandenburgs, but make it jazzy.

Our Principal flute, Michael, tells us about Bach’s playful side.

Here’s how our Principal Second Violin, Antonia, prepares for a concert day when it involves a lot of Mozart.

We caught up with soprano Danielle de Niese about how she approaches Mozart

We’ve got a whole load of exciting things in store, including Jonathan Bloxham in a new role.

LMP Principal conductor and Artistic Advisor Jonathan Bloxham describes how certain pieces can bring back vivid memories.

Today, we’re announcing that Flynn Le Brocq will leave LMP at the end of August 2025 after an incredible 4…

We took our Friends of LMP scheme overseas.

Our Principal viola, Judith, explains how music can provide a sense of escapism.

Are these parallels between performance and high-risk activities? Our Leader Simon thinks so.

Harpist Rosanna tells us about impressionist harp music, glissandos, and concert-day routines.

Pianist Zee Zee reveals her sleep routine for concert days, and tells us about her love for Ravel.

We’re wishing Sebastian Comberti a very fond farewell as he steps down as our Principal Cello in Summer 2025.

New update to our player members – Jessica Coleman has been appointed as our Violin 1, No.3.

Can we ever get bored of Mozart? Pianist Angela Hewitt doesn’t think so.

Principal bassoon, Sarah, talks us through her pre-concert routine and how the Linz symphony brings back memories of her LMP…

Jonathan Bloxham tells us about the inspiring imagery within Mendelssohn’s Symphony No.4.

Roxanna Panufnik talks us through her inspo for Four World Seasons – a work that takes us around the globe.

Our Leader, Ruth, talks us through the emotions and imagery in Vivaldi’s The Four Seasons.

News for our string section – Christine Anderson has been appointed as LMP Viola No.2.

We’ve got a new Principal! Antonia is now leading our Second Violins.

Father John Pritchard recalls the meet-cute that led to a relationship that has lasted a decade.

Jonathan Bloxham, our Principal Conductor, dons his party hat as he reflects on the planning process of a 75th party.

Isata Kanneh-Mason looks back on her past performance of Mendelssohn’s Piano Concerto No. 1 with us.

Exciting news! We’ve announced our three finalists for our 2023 Samuel Coleridge-Taylor Prize.

The lovely George has joined our viola section.

Alan’s joining our trumpet section as our new Principal.

Turns out you can create some pretty good dinosaur sound effects with a cello.

We’ll leave it to expert organist, Anna Lapwood, to decide.

How would you describe the sound of an organ. Loud? Grand?…Punchy?

Ever wondered how a pipe organ actually work? Us too.

No, it’s not Mariah Carey. Tom Allery’s here to tell us why Messiah is such a big hit.

How should we approach Samuel Coleridge-Taylor’s monumental work today?

The wonderful Jonathan Bloxham is joining as our Conductor in Residence and Artistic Advisor.

Artist James Mayhew tells us about the process of painting to music.